What does Philadelphia Freedom expect?

Is that about the city? I be just curious. I be born in Philly so that would be cool if it be. I know it has to do something give or take a few it. Cause where else is here a Philadelphia? in PA.

Ya so anyway does anybody know the target? Thanks.



Answers:   
The song is a dedication to Billy Jean King, and the soulful sounds of the city. It does not clearly specify the exact meaning of the phrase. I did try for you.
That is my favorite adjectives time song! It is a reference to the nation Bicentennial of 1976 (1776/1976) which is the year the song came out. Liberty Bell, history!
Philadelphia freedom? Hellooooooooooo! Philly is the birthplace of freedom in the United States. The LIBERTY BELL, INDEPENDENCE HALL. Come on, thats an effortless one.
Elton John wrote this song for his friend Billlie Jean King. The given name of the tennis team she played for be the Philadelphia Freedom.
Paul S is in part right--Elton John wrote the song for his friend Billie Jean King. In the '70's, King played for a professional tennis team, the Philadelphia Freedoms (later the Freedom).
okay, during slavery philadelphia was a free state and have a large black community. plentiful slaves from the south used the underground railroad (which is not really a railroad if u didnt know) and many go to philadelphia because its the closest city of the north. that could possibly be why,

im from philly too
Elton John had other been a big sports adherent, and for that reason, it be a great thrill for him, at a party, to congregate one of his athletic idols: tennis pro Billie Jean King. They become good friends, and afterward, he other tried to attend her matches, whenever he could. Sometimes, Elton get in on the doings, in eminence benefit games.

One day, Billie surprised Elton near a special track suit, customized just for him. Elton be so touched that he promised to dedicate one of his "subsequent big hits" to her. "Billie, I'm going to write a song for you," Elton said. "Just wait and see." She laugh and thanked him, assuming he'd like greased lightning forget such an off-the-cuff vow.


A short time later, Billie be in Denver, embroiled surrounded by a crucial playoff game. Suddenly, Elton enter her locker room, bearing a hand-held video recorder. With a nervous grin, he punched up a track he have just completed, and awaited her recoil. For many long minutes, the tune played on. And after she smiled. Billie Jean King loved the song.

Single copies of "Philadelphia Freedom" carry Elton's dedication to "B.J.K.," as all right as to "the soulful sounds of Philadelphia" -- a clear nod to the Gamble-Huff-Bell school of R&B. The diary was Elton's answer to tango music mania, and be, in certainty, one of the largest-selling disco singles of all time. It be also one of the longest -- and on purpose, too. In the months past, a national programmer had lashed out at Elton for releasing 45s that clocked contained by at over four minutes. They were lousing up his formats, and and so, the man announced a boycott of any future Elton John paperwork that violated his time restrictions. Elton's response was "Philadelphia Freedom" -- a hit so big that the man be forced to program it.

Elton liked to net his singles as collectible as possible, and did this by filling his B sides next to otherwise unavailable textile. The flip of "Philadelphia Freedom" is perhaps the most legendary of these, "I Saw Her Standing There." It's the only record live duet between Elton and John Lennon, and was John's passageway of thanking his friend for singing along on "Whatever Gets You Through the Night," the former Beatle's simply number one single of the seventies.

"Philadelphia Freedom" broke in America within early March 1975, and by April, be a gold story, the top-selling single in the country. It in the blink of an eye became Elton's most popular 45 but, a fact that didn't surprise his lyricist, Bernie Taupin. Bernie, though, downplayed his role contained by the song's success.

"I'm reasonably honest about it," he said. "I'm sure fifty percent of the populace who liked it never even listen to the words. People don't buy a record because the words are perfect, or the words sound nice. They buy it for the outmoded thing air, or 'It's got a worthy beat, man. Yeah, I can waltz to that one.' The words, at least surrounded by the beginning, are subsidiary.

"Later on they may play a part, because you hold to have something to sing along to. But on 'Philadelphia Freedom,' or any of the uptempo things, the words only aren't that important. If they're palatable, and you can sing them, that's adjectives that matters."


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